shabd-logo

ACT THIRD

30 June 2023

6 Viewed 6

SCENE I

BOULOGNE.  THE CHATEAU AT PONT-DE-BRIQUES


[A room in the Chateau, which is used as the Imperial quarters.

The EMPEROR NAPOLÉON, and M. GASPARD MONGE, the mathematician

and philosopher, are seated at breakfast.]

OFFICER


Monsieur the Admiral Decrès awaits

A moment’s audience with your Majesty,

Or now, or later.

NAPOLÉON


Bid him in at once—

At last Villeneuve has raised the Brest blockade!


[Enter DECRÈS.]


What of the squadron’s movements, good Decrès?

Brest opened, and all sailing Channelwards,

Like swans into a creek at feeding-time?

DECRÈS


Such news was what I’d hoped, your Majesty,

To send across this daybreak.  But events

Have proved intractable, it seems, of late;

And hence I haste in person to report

The featless facts that just have dashed my—-

NAPOLÉON [darkening]


Well?

DECRÈS


Sire, at the very juncture when the fleets

Sailed out from Ferrol, fever raged aboard

“LL’Achille” and “l’Algeciras”: later on,

Mischief assailed our Spanish comrades’ ships;

Several ran foul of neighbours; whose new hurts,

Being added to their innate clumsiness,

Gave hap the upper hand; and in quick course

Demoralized the whole; until Villeneuve,

Judging that Calder now with Nelson rode,

And prescient of unparalleled disaster

If he pushed on in so disjoint a trim,

Bowed to the inevitable; and thus, perforce,

Leaving to other opportunity

Brest and the Channel scheme, with vast regret

Steered southward into Cadiz.

NAPOLÉON [having risen from the table]


What!—Is, then,

My scheme of years to be disdained and dashed

By this man’s like, a wretched moral coward,

Whom you must needs foist on me as one fit

For full command in pregnant enterprise!

MONGE [aside]


I’m one too many here!  Let me step out

Till this black squall blows over.  Poor Decrès.

Would that this precious project, disinterred

From naval archives of King Louis’ reign,

Had ever lingered fusting where ’twas found.7


[Exit Monge.]

NAPOLÉON


To help a friend you foul a country’s fame!—

Decrès, not only chose you this Villeneuve,

But you have nourished secret sour opinions

Akin to his, and thereby helped to scathe

As stably based a project as this age

Has sunned to ripeness.  Ever the French Marine

Have you decried, ever contrived to bring

Despair into the fleet!  Why, this Villeneuve,

Your man, this rank incompetent, this traitor—

Of whom I asked no more than fight and lose,

Provided he detain the enemy—

A frigate is too great for his command!

what shall be said of one who, at a breath,

When a few casual sailors find them sick,

When falls a broken boom or slitten sail,

When rumour hints that Calder’s tubs and Nelson’s

May join, and bob about in company,

Is straightway paralyzed, and doubles back

On all his ripened plans!—

Bring him, ay, bodily; hale him out from Cadiz,

Compel him up the Channel by main force,

And, having doffed him his supreme command,

Give the united squadrons to Ganteaume!

DECRÈS


Your Majesty, while umbraged, righteously,

By an event my tongue dragged dry to tell,

Makes my hard situation over-hard

By your ascription to the actors in’t

Of motives such and such.  ’Tis not for me

To answer these reproaches, Sire, and ask

Why years-long mindfulness of France’s fame

In things marine should win no confidence.

I speak; but am unable to convince!


True is it that this man has been my friend

Since boyhood made us schoolmates; and I say

That he would yield the heel-drops of his heart

With joyful readiness this day, this hour,

To do his country service.  Yet no less

Is it his drawback that he sees too far.

And there are times, Sire, when a shorter sight

Charms Fortune more.  A certain sort of bravery

Some people have—to wit, this same Lord Nelson—

Which is but fatuous faith in one’s own star

Swoln to the very verge of childishness,

[Smugly disguised as putting trust in God,

A habit with these English folk]; whereby

A headstrong blindness to contingencies

Carries the actor on, and serves him well

In some nice issues clearer sight would mar.

Such eyeless bravery Villeneuve has not;

But, Sire, he is no coward.

NAPOLÉON


Well, have it so!—What are we going to do?

My brain has only one wish—to succeed!

DECRÈS


My voice wanes weaker with you, Sire; is nought!

Yet these few words, as Minister of Marine,

I’ll venture now.—My process would be thus:—

Our projects for a junction of the fleets

Being well-discerned and read by every eye

Through long postponement, England is prepared.

I would recast them.  Later in the year

Form sundry squadrons of this massive one,

Harass the English till the winter time,

Then rendezvous at Cadiz; where leave half

To catch the enemy’s eye and call their cruizers,

While rounding Scotland with the other half,

You make the Channel by the eastern strait,

Cover the passage of our army-boats,

And plant the blow.

NAPOLÉON


And what if they perceive

Our Scottish route, and meet us eastwardly?

DECRÈS


I have thought of it, and planned a countermove;

I’ll write the scheme more clearly and at length,

And send it hither to your Majesty.

NAPOLÉON


Do so forthwith; and send me in Daru.


[Exit DECRÈS.  Re-enter MONGE.]


Our breakfast, Monge, to-day has been cut short,

And these discussions on the ancient tongues

Wherein you shine, must yield to modern moils.

Nay, hasten not away; though feeble wills,

Incompetence, ay, imbecility,

In some who feign to serve the cause of France,

Do make me other than myself just now!—

Ah—here’s Daru.


[DARU enters.  MONGE takes his leave.]


Daru, sit down and write.  Yes, here, at once,

This room will serve me now.  What think you, eh?

Villeneuve has just turned tail and run to Cadiz.

So quite postponed—perhaps even overthrown—

My long-conned project against yonder shore

As ’twere a juvenile’s snow-built device

But made for melting!  Think of it, Daru,—

My God, my God, how can I talk thereon!

A plan well judged, well charted, well upreared,

To end in nothing!... Sit you down and write.


[NAPOLÉON walks up and down, and resumes after a silence.]


Write this.—A volte-face ’tis indeed!—Write, write!

DARU [holding pen to paper]


I wait, your Majesty.

NAPOLÉON


First Bernadotte—

Yes; “Bernadotte moves out from Hanover

Through Hesse upon Wurzburg and the Danube.—

Marmont from Holland bears along the Rhine,

And joins at Mainz and Wurzburg Bernadotte...


While these prepare their routes the army here

Will turn its back on Britain’s tedious shore,

And, closing up with Augereau at Brest,

Set out full force due eastward....

By the Black forest feign a straight attack,

The while our purpose is to skirt its left,

Meet in Franconia Bernadotte and Marmont;

Traverse the Danube somewhat down from Ulm;

Entrap the Austrian column by their rear;

Surround them, cleave them; roll upon Vienna,

Where, Austria settled, I engage the Tsar,

While Masséna detains in Italy

The Archduke Charles.


Foreseeing such might shape,

Each high-and by-way to the Danube hence

I have of late had measured, mapped, and judged;

Such spots as suit for depots chosen and marked;

Each regiment’s daily pace and bivouac

Writ tablewise for ready reference;

All which itineraries are sent herewith.”


So shall I crush the two gigantic sets

Upon the Empire, now grown imminent.

—Let me reflect.—First Bernadotte—-but nay,

The courier to Marmont must go first.

Well, well.—The order of our march from hence

I will advise.... My knock at George’s door

With bland inquiries why his royal hand

Withheld due answer to my friendly lines,

And tossed the irksome business to his clerks,

Is thus perforce delayed.  But not for long.

Instead of crossing, thitherward I tour

By roundabout contrivance not less sure!

DARU


I’ll bring the writing to your Majesty.


[NAPOLÉON and DARU go out severally.]

CHORUS OF THE YEARS [aerial music]


Recording Angel, trace

This bold campaign his thought has spun apace—

One that bids fair for immortality

Among the earthlings—if immortal deeds

May be ascribed to so extemporary

And transient a race!

It will be called, in rhetoric and rhyme,

As son to sire succeeds,

A model for the tactics of all time;

“The Great Campaign of that so famed year Five,”

By millions of mankind not yet alive.


SCENE II

THE FRONTIERS OF UPPER AUSTRIA AND BAVARIA


[A view of the country from mid-air, at a point south of the

River Inn, which is seen as a silver thread, winding northward

between its junction with the Salza and the Danube, and forming

the boundaries of the two countries.  The Danube shows itself as

a crinkled satin riband, stretching from left to right in the

far background of the picture, the Inn discharging its waters

into the larger river.]

DUMB SHOW


A vast Austrian army creeps dully along the mid-distance, in

the detached masses and columns of a whitish cast.  The columns

insensibly draw nearer to each other, and are seen to be converging

from the east upon the banks of the Inn aforesaid.

A RECORDING ANGEL [in recitative]


This movement as of molluscs on a leaf,

Which from our vantage here we scan afar,

Is one manoeuvred by the famous Mack

To countercheck Napoléon, still believed

To be intent on England from Boulogne,

And heedless of such rallies in his rear.

Mack’s enterprise is now to cross Bavaria—

Beneath us stretched in ripening summer peace

As field unwonted for these ugly jars—


Outraged Bavaria, simmering in disquiet

At Munich down behind us, Isar-fringed,

And torn between his fair wife’s hate of France

And his own itch to gird at Austrian bluff

For riding roughshod through his territory,

Wavers from this to that.  The while Time hastes

The eastward streaming of Napoléon’s host,

As soon we see.


The silent insect-creep of the Austrian columns towards the banks of

the Inn continues to be seen till the view fades to nebulousness and

dissolves.

SCENE III

BOULOGNE.  THE ST. OMER ROAD


[It is morning at the end of August, and the road stretches out

of the town eastward.


The divisions of the “Army-for-England” are making preparations

to march.  Some portions are in marching order.  Bands strike

up, and the regiments start on their journey towards the Rhine

and Danube.  Bonaparte and his officers watch the movements from

an eminence.  The soldiers, as they pace along under their eagles

with beaming eyes, sing “Le Chant du Depart,” and other martial

songs, shout “Vive l’Empereur!” and babble of repeating the days

of Italy, Egypt, Marengo, and Hohenlinden.]

NAPOLÉON


Anon to England!

CHORUS OF INTELLIGENCES [aerial music]


If Time’s weird threads so weave!


[The scene as it lingers exhibits the gradual diminishing of

the troops along the roads through the undulating August

landscape, till each column is seen but as a train of dust;

and the disappearance of each marching mass over the eastern

horizon.]

26
Articles
The Dynasts: An Epic-Drama of the War with Napoleon
5.0
The Dynasts is an English-language closet drama in verse and prose by Thomas Hardy. Hardy himself described this work as "an epic-drama of the war with Napoleon, in three parts, nineteen acts and one hundred and thirty scenes".
1

Preface

29 June 2023
1
0
0

The Spectacle here presented in the likeness of a Drama is concerned with the Great Historical Calamity, or Clash of Peoples, artificially brought about some hundred years ago. The choice of such a s

2

Detailed Contents

29 June 2023
0
0
0

  PART FIRST   Characters   Fore Scene.  The Overworld   Act First:—       Scene    I. England.  A Ridge in Wessex         “     II. Paris.  Office of the Minister of Marine         “    III.

3

Part First

29 June 2023
0
0
0

CHARACTERS   I. PHANTOM INTELLIGENCES     THE ANCIENT SPIRIT OF THE YEARS/CHORUS OF THE YEARS.     THE SPIRIT OF THE PITIES/CHORUS OF THE PITIES.     SPIRITS SINISTER AND IRONIC/CHORUSES OF SI

4

FORE SCENE

29 June 2023
0
0
0

THE OVERWORLD     [Enter the Ancient Spirit and Chorus of the Years, the Spirit     and Chorus of the Pities, the Shade of the Earth, the Spirits     Sinister and Ironic with their Choruses, Rumour

5

ACT FIRST

30 June 2023
0
0
0

SCENE I ENGLAND. A RIDGE IN WESSEX [The time is a fine day in March 1805.  A highway crosses the ridge, which is near the sea, and the south coast is seen bounding the landscape below, the open

6

ACT SECOND

30 June 2023
0
0
0

SCENE I THE DOCKYARD, GIBRALTAR [The Rock is seen rising behind the town and the Alameda Gardens, and the English fleet rides at anchor in the Bay, across which the Spanish shore from Algeciras

7

ACT THIRD

30 June 2023
0
0
0

SCENE I BOULOGNE.  THE CHATEAU AT PONT-DE-BRIQUES [A room in the Chateau, which is used as the Imperial quarters. The EMPEROR NAPOLÉON, and M. GASPARD MONGE, the mathematician and philosopher, a

8

ACT FOURTH

30 June 2023
0
0
0

SCENE I KING GEORGE’S WATERING-PLACE, SOUTH WESSEX [A sunny day in autumn.  A room in the red-brick royal residence know as Gloucester Lodge.8 At a front triple-lighted window stands a telesco

9

ACT FIFTH

1 July 2023
0
0
0

SCENE I OFF CAPE TRAFALGAR [A bird’s eye view of the sea discloses itself.  It is daybreak, and the broad face of the ocean is fringed on its eastern edge by the Cape and the Spanish shore.  On

10

ACT SIXTH

1 July 2023
0
0
0

SCENE I THE FIELD OF AUSTERLITZ.  THE FRENCH POSITION [The night is the 1st of December following, and the eve of the battle.  The view is from the elevated position of the Emperor’s bivouac.  T

11

PART SECOND

1 July 2023
0
0
0

CHARACTERS I. PHANTOM INTELLIGENCES THE ANCIENT SPIRIT OF THE YEARS/CHORUS OF THE YEARS. THE SPIRIT OF THE PITIES/CHORUS OF THE PITIES. SPIRITS SINISTER AND IRONIC/CHORUSES OF SINISTER AND IRO

12

ACT FIRST

1 July 2023
0
0
0

SCENE I LONDON.  FOX’S LODGINGS, ARLINGTON STREET [FOX, the Foreign Secretary in the new Ministry of All-the-Talents, sits at a table writing.  He is a stout, swarthy man, with shaggy eyebrows,

13

ACT SECOND

1 July 2023
0
0
0

SCENE I THE PYRENEES AND VALLEYS ADJOINING [The view is from upper air, immediately over the region that lies between Bayonne on the north, Pampeluna on the south, and San Sebastian on the west,

14

ACT THIRD

3 July 2023
0
0
0

SCENE I SPAIN.  A ROAD NEAR ASTORGA [The eye of the spectator rakes the road from the interior of a cellar which opens upon it, and forms the basement of a deserted house, the roof doors, and shut

15

ACT FOURTH

3 July 2023
0
0
0

SCENE I A ROAD OUT OF VIENNA [It is morning in early May.  Rain descends in torrents, accompanied by peals of thunder.  The tepid downpour has caused the trees to assume as by magic a clothing of

16

ACT FIFTH

3 July 2023
0
0
0

SCENE I PARIS.  A BALLROOM IN THE HOUSE OF CAMBACÉRÈS [The many-candled saloon at the ARCH-CHANCELLOR’S is visible through a draped opening, and a crowd of masked dancers in fantastic costumes r

17

ACT SIXTH

3 July 2023
0
0
0

SCENE I THE LINES OF TORRES VEDRAS [A bird’s-eye perspective is revealed of the peninsular tract of Portuguese territory lying between the shining pool of the Tagus on the east, and the white-fr

18

PART THIRD

3 July 2023
0
0
0

CHARACTERS I. PHANTOM INTELLIGENCES THE ANCIENT SPIRIT OF THE YEARS/CHORUS OF THE YEARS. THE SPIRIT OF THE PITIES/CHORUS OF THE PITIES. SPIRITS SINISTER AND IRONIC/CHORUSES OF SINISTER AND I

19

ACT FIRST

4 July 2023
0
0
0

SCENE I THE BANKS OF THE NIEMEN, NEAR KOWNO [The foreground is a hillock on a broken upland, seen in evening twilight.  On the left, further back, are the dusky forests of Wilkowsky; on the righ

20

ACT SECOND

4 July 2023
0
0
0

SCENE I THE PLAIN OF VITORIA [It is the eve of the longest day of the year; also the eve of the battle of Vitoria.  The English army in the Peninsula, and their Spanish and Portuguese allies, ar

21

ACT THIRD

4 July 2023
0
0
0

SCENE I LEIPZIG.  NAPOLÉON’S QUARTERS IN THE REUDNITZ SUBURB [The sitting-room of a private mansion.  Evening.  A large stove- fire and candles burning.  The October wind is heard without, and t

22

ACT FOURTH

4 July 2023
0
0
0

SCENE I THE UPPER RHINE [The view is from a vague altitude over the beautiful country traversed by the Upper Rhine, which stretches through it in birds-eye perspective.  At this date in Europe’s

23

ACT FIFTH

5 July 2023
0
0
0

SCENE I ELBA.  THE QUAY, PORTO FERRAJO [Night descends upon a beautiful blue cove, enclosed on three sides by mountains.  The port lies towards the western [right-hand] horn of the concave, behind

24

ACT SIXTH

5 July 2023
0
0
0

SCENE I THE BELGIAN FRONTIER [The village of Beaumont stands in the centre foreground of a birds’-eye prospect across the Belgian frontier from the French side, being close to the Sambre further

25

ACT SEVENTH

5 July 2023
0
0
0

SCENE I THE FIELD OF WATERLOO [An aerial view of the battlefield at the time of sunrise is disclosed. The sky is still overcast, and rain still falls.  A green expanse, almost unbroken, of ry

26

AFTER SCENE

5 July 2023
0
0
0

THE OVERWORLD [Enter the Spirit and Chorus of the Years, the Spirit and Chorus of the Pities, the Shade of the Earth, the Spirits Sinister and Ironic with their Choruses, Rumours, Spirit-messengers

---