In a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name, lived a professional storyteller named Rashid and his son Haroun.’ Thus begins Rushdie’s magical and delightful book, which is comprised of hundreds of stories, funny and sad, all of them juggled at once, together with sorcery and love, wicked uncles and fat aunts, and mustachioed gangsters in yellow check pants.
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